The sound comes , a dry rasp like a thumb drawn slowly across a plastered wall. It is cotton on paper. A tuft no bigger than a lentil is wound round the end of a bamboo toothpick, rolled in black powder, and set down on a sheet that is not smooth. The powder does not flow the way ink does. It sits on the grain and has to be worked into it, a little at a time. Where the tip lifts, a fine black dust stays behind on the paper, and a little of it stays on the fingers too. The handle is whatever was close by: a chopstick cut short, the stem of an incense stick. Copper wire holds the cotton on, and for finer work a scrap of eraser takes its place. Almost none of it was made for the purpose. The black comes from a kerosene lamp left to burn smoky, with a funnel held over the flame to catch what rises, and it smells faintly scorched. Beside the sheet lies a photograph no larger than a palm. Its edges have gone soft where it has been held, and the faces in it have gone soft with them. A magnif...
Multifaceted perspectives on life, culture, and people in Vietnam—seen through my own lens, aiming for authenticity and depth.