The bottle lands on the scale still warm from someone's hand. A two-liter PET bottle, crushed flat along its ribs, a grease smear across the label where a kitchen rag wiped it just clean enough to sell but not clean enough to look new. The scale is a rusted mechanical arm bolted into a doorway too narrow for a car, set into an alley behind a wet market in Chợ Lớn — Ho Chi Minh City's old ethnic-Chinese quarter, where the house numbers still follow a sequence that stopped making sense to anyone but the people who live there. A man in flip-flops watches the needle settle, calls out a price half in Vietnamese and half in Cantonese-inflected slang, and writes the number by hand into a ledger gone soft at the corners. Behind him the room goes back further than the doorway suggests, built for something else, repurposed, the ceiling low enough that a tall man ducks near the beams. Copper wire lies coiled apart from aluminum. Clear PET is stacked apart from cloudy PET. Corrugated card...
Multifaceted perspectives on life, culture, and people in Vietnam—seen through my own lens, aiming for authenticity and depth.